“Often the hands will solve a mystery that the intellect has struggled with in vain.”

— Carl Jung

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A journal written by Audrey Vo Van, ceramic artist

Poetic reflections and exercises inspired by clay-based therapy to slow time and return to your sense of touch.


Every page of Imprints of Time is a quiet, 5-minute ritual—an invitation to slow your breath, soften your thoughts, and reconnect through the simple act of touch. No goals. No pressure. Just one texture, one pause, one grounded moment.
 

Open it: with your morning tea, in the quiet evening, or during life's gentle pause.

Feel it: a shift - from stress to stillness, from thinking to feeling.

Begin the journey

What This Journal Can Teach You

Through each page, you are invited to explore clay not just as material, but as a mirror- revealing what touch, time, and attention can teach us

  • Find meaning in cracks and roughness - marks shaped by fire, time, and care
  • Follow your hand’s instinct - feel first, think later.
  • Discover yourself through form - how each curve, crack, and surface mirrors your own tensions, pauses, and quiet transformations.

By the end, you won’t just see ceramics - you’ll feel differently, too.

Receive the Journal

What if the fastest way to calm your thoughts… was already in your hands?

Touch is the body’s first language- older than words, deeper than thought. It begins in the womb, long before birth, making it the very first sense we develop. Through warmth, pressure, and presence, it’s how we first connect to the world.

Even as adults, touch remains our most direct route to calm. Just a few minutes of mindful contact can lower heart rate by up to 10 beats per minute and reduce stress hormones by 23%.

When you engage your sense of touch, you engage your whole nervous system - slowing down, softening tension, and returning to presence.

Enter the Journey

Reconnect With Nature


Let this journal guide you through the grain of weathered bark, the crumble of dry earth, and the slow curve of stone - each page an invitation to return to the rhythms of the earth.

Every prompt draws from nature’s own language: the fracture lines of rock, the spiral of roots, the patient shaping of land by time. These tactile moments are more than reflections- they’re reconnections.

As your hands engage with these forms, you’re not just turning pages - you’re remembering how to slow down, to feel deeply, and to root yourself in the present, wherever you are.

Begin the journey

Loved by everyone

You learn a lot about ceramics, but also about yourself

Clément, Montpellier (France)

I've been able to become more aware of my sense of touch, to be be more connected with my body

Ginny, London

It's not just a journal, it's an experience

Rexie, Philippines

About the artist

Audrey Vo Van was introduced to stillness not through art, but through her grandfather — a former Buddhist monk who meditated daily, cared for rescued plants, and taught reverence for all forms of life, even the smallest. As a child, Audrey would sit near him, curious about the quiet he carried — a calm she didn’t yet understand, but never forgot.

Years later, she found it again — not seated in silence, but with her hands in clay.

The first time she touched the material, something shifted. It felt alive, familiar. She discovered more than a craft — she discovered a way to express herself.

Not through words, but through form, texture, and breath.

Clay became her meditation. Sculpting became a way to lose track of time, to listen without speaking, to be fully present.

Her work isn’t about perfection. It’s about presence. Every curve invites pause. Every hollow holds a breath.

Imprints of Time, her guided journal, is born of this way of being — an invitation to return to your senses, to stillness, and to the quiet emotional power of clay.

FAQs

What format is the journal in?

A beautifully designed digital PDF. Read it on any device—or print it for a tactile experience.

Do I need to be an artist to use it?

Not at all. You don’t need to be an artist - you only need to have lived, to have touched, to have felt.

Imprints of Time was not created for artists. It was created for anyone who longs for a moment of calm, a deeper breath, a quiet return to presence. Whether you write, sketch, or simply reflect in silence, this journal is a space to reconnect - not to perform.

It invites you to embrace your creative spirit, not through skill, but through sensation, memory, and intuition.

No rules. No expectations.

Just a piece of stillness — and your own way of feeling it.

How much time will it take?

This journal is designed for moments of pause, not pressure.

Just 5–15 minutes. Open it whenever you choose—there’s no pace, no pressure.

It fits into your life, not the other way around.

Imprints of Time fits into real life — one page at a time. It can become part of your morning ritual, a midday pause, or a few quiet minutes in the evening. It’s a gentle invitation to make space for what matters most: reflection, touch, and presence.

You don’t need more time.
Just a moment — for you.

What’s inside?

60 pages across 20 micro‑chapters, each with:

- Poetic reflections—simple passages rooted in clay, nature, and time
- Sculptural photos—textures that invite quiet contemplation
- Open prompts—space for words, sketches, or silent presence

These aren’t tasks. They’re opportunities -to pause, feel, return to yourself.

Can I start at any time?

Yes — absolutely.

There is no schedule or linear path. You can open it to any page, whenever you feel drawn to it.

Will it be relevant if I’m not familiar with ceramics?

The language of touch, memory, and
transformation is universal. The journal is an invitation to experience art
with your senses and your heart, no expertise required.

Why should I pay 20 euros for a  digital journal?

Because this is more than a PDF—it’s a portable, immersive experience, crafted like art.

Each page is a sanctuary—in text, texture, and intention.

You’re not just downloading a journal; you’re bringing presence into your day.