In Whisper of the Earth, Audrey Vo Van doesn’t mimic nature - she listens to it.
Each vessel begins with a conversation between hand, clay, and memory. The textured surfaces carry the print of a river stone, pressed gently into the chamotte as if to transfer the stone’s quiet history. What emerges is not an imitation, but a translation - a tactile echo of something ancient, shaped by water, wind, and time.

These sculptural vessels feel both grounded and ethereal. Their silhouettes rise with an elegance that contrasts the raw, weathered skin of their surface - a meeting of softness and mineral roughness, of stillness and movement.

They are not simply objects to be placed and admired. They are meditations in form - spaces where the weight of silence settles, and the slow erosion of time is held in clay. In each curve and hollow, the earth speaks: of permanence, of change, and of the traces left behind by touch.